Thursday, March 28, 2013

Lingering Memories--Lyric Theatre


Lyric Theatre
201 North Broadway
Tupelo, Mississippi

He appeared first in a Lee County community called Black Zion near the Pontotoc County line. He was a dark, shadowy figure stretching from the leaden clouds to the dusty ground. The winds surrounding him stirred up dust in the still and humid air of a warm spring Palm Sunday. He tore through Black Zion and then slammed into the town of Tupelo with great fury around 8:30 that evening.

April 5, 1936 had been a pleasant Palm Sunday in Tupelo until the twister touched down flattening 48 blocks of the city. Believed to have been a 5 on the Fujita scale—the scale for judging the strength of tornadoes—this Palm Sunday visitor was part of a line of storms that struck the South with another powerful tornado destroying parts of Gainesville, Georgia the following day. Local officials counted 216 deaths, but in this era of Jim Crow that was only counting whites among the dead. The deaths of African-Americans—and this tornado struck a part of Tupelo that was largely black—went unrecorded.

As the dead and injured were pulled from the twisted wreckage of the city the broken bodies were moved to a temporary hospital and morgue set up in the Lyric Theatre. The sounds of agony from the injured and the dying as well as the clink of metal medical instruments and trays replaced the laughter that usually echoed through the building. Stories speak of the popcorn machines in the lobby being pressed into service to sterilize the instruments. These bad memories still may linger.

Undated postcard of the Comus Theatre. The facade now features
Art Deco elements and marquee. Postcard from the Cooper Postcard
Collection, Mississippi Department of Archives and History.
The Lyric opened as the Comus Theatre in 1912. The Comus hosted vaudeville and other live performances until the prevalence of films lead to vaudeville’s untimely demise. The theatre became a part of the M. A. Lightman Company (Malco), a chain of cinemas, acquiring a new name, the Lyric, and it’s Art Deco fa├žade and marquee. It’s appropriate that this theatre, having been built for live theatre would ultimately be saved by it as well. In the mid 1980s when the theatre had outlived its usefulness as a cinema, it was saved from the wrecker’s ball by the Tupelo Community Theatre and has been slowly but surely restored by them.

With TCT’s acquisition of the Lyric Theatre, they also acquired some lingering memories; memories that will mischievously play tricks on actors and theatre staff. One executive director had his keys taken and hidden from him. After searching for about 45 minutes he gave up and decided to call someone to come get him. The phone sat on a Plexiglas stand with a small slot for papers clips. As he lifted the receiver he glanced down to see his keys stuffed into the small slot. Puzzled, he locked up the building and quickly left. He could come up with no explanation except to blame Antoine, the theatre’s lingering spirit.

Exactly who the spirit is or why his name is Antoine is unknown. Perhaps he’s one of the injured, dying or dead brought into the building following the tragic tornado or perhaps a more recent theatre associate who has returned to his beloved theatre?  All that is known is that he enjoys playing tricks including playing with the lights, slamming doors when he may be unhappy and possibly making a surprise appearance in a theatergoer’s photograph.

There are other lingering memories that are more obviously connected with the theatre’s tragic past. The clank of metal medical instruments still resounds through the building while the popcorn machines, once pressed into such ghastly service, are said to turn on by themselves. In a place where such happy memories are now made, these negative memories linger to remind us that even the beauty of a warm spring evening can be shattered in an instant by a terrible storm.

Sources
1936 Tupelo-Gainesville tornado outbreak. Wikipedia, the Free Encyclopedia. Accessed 28
     March 2013.
History of the Lyric Theatre. Tupelo Community Theatre. Accessed 28 March 2011.
Rutherford, Joe. “Tupelo tornado: Scars, united in spirit.” NEMS Daily Journal. 3 April
     2011.
Sillery, Barbara. The Haunting of Mississippi. Gretna, LA: Pelican, 2011.
Steed, Bud. The Haunted Natchez Trace. Charleston, SC: History Press, 2012.
Tupelo Community Theatre. CinemaTreasures.org. Accessed 28 March 2013.

Tuesday, March 19, 2013

Newsworthy Haunts 3/19—Fike High School


Ralph L. Fike High School
500 Harrison Drive
Wilson, North Carolina

High school is scary enough. You already have teenage angst compounded by raging hormones and with modern teenage drama; it makes for a volatile situation. It’s even worse, I imagine, with ghosts thrown in.

Schools appear frequently on lists of haunted places and they range from preschools to university buildings. Among K-12 schools in the South, there are some very notable haunted schools including C. E. Byrd High School in Shreveport Louisiana, Jordan High School in Columbus, Georgia, Airport High School in West Columbia, South Carolina and Bristol High School in Bristol, Tennessee. Elementary schools also rank on the list including Matthew Whaley Elementary in Williamsburg, Virginia. North Carolina has a few notable haunted high schools including Erwin High School in Asheville, which was built on the site of a potter’s field cemetery. While most of the graves were moved, it’s possible that some were missed which would account for some of the activity. The stories—like so many ghost stories—are often rife with exaggerations and inaccuracies. Administration will often shy away from ghost tales in an effort to not scare or distract the students, though the tales persist as well.

Asheville, NC's haunted Erwin High School, 2012. Photo by
Lewis Powell IV, all rights reserved.
I always wondered if my alma mater, LaGrange High School in LaGrange, Georgia was haunted. The school’s main building dated to the 1940s with many modern additions. Parts of the building were creepy, though I never heard anything substantial as to activity. Not that I wasn’t interested, in fact, I worked on an independent study my senior year about ghosts (I should give a shout out to Mrs. Karen Hodnette, the Gifted Facilitator, and say thank you for putting up with me and my bizarre project, it apparently is coming full circle now). That’s why I’m jealous of the student named in this recent article from the Wilson Daily Times; she’s gathering paranormal evidence about her high school for her senior project.

Certainly it appears that there are some very strange things going on at Fike High School. This project got its impetus when a student watched her classroom door close by itself during class. Moments later, the door opened again about six inches and a nearby projector head flipped downward by itself. The student began asking questions which has culminated in her concentrating on the school haunting as her senior project.

Witnesses to these phenomena include teachers, janitors and the assistant principal. A coach walking along one hallway began to notice the classroom doors closing by themselves as he passed. The assistant principle saw a white figure in the hallway when she was a student while a current math teacher started hearing odd sounds one night as he was working late. He went to the main office to check the security cameras and noticed the motion detectors were alerting him to movement in the second floor hallway. When he went to look, he saw a white figure at the end of the corridor.

The student has called in a paranormal team, The Paranormal Detectives, to investigate. The results of the investigation will be publicized in the local paper.

The school, built in 1958, was built on the site of a farm, though the student has been unable to find evidence of any particularly traumatic events occurring there. “I need to keep digging to find out if anything traumatic happened.” she said.

Sources
     The Carolina Mercury. 14 March 2013.
      Daily Times. 11 March 2013.
Ralph L. Fike High School. Wikipedia, the Free Encyclopedia. Accessed 19 March 2013.

Friday, March 8, 2013

The Phantom of the Opera and Friends—Maryland Theatre


21 South Potomac Street
Hagerstown, Maryland

N. B. This is a repost. The original article was posted 31 May 2011.

Sometimes I’ll encounter an article that opens a whole Pandora’s Box of articles and hauntings. This is one of those cases. Initially, I was looking for information on the Westminster Opera House in Westminster, Maryland and decided to Google “haunted theatres Maryland.” An article from the Hagerstown Herald Mail regarding the Maryland Theatre popped up and I dutifully added it to my files and then began searching out whatever else I could find on it. A search for “Maryland Theatre ghost” turned up a few more articles, but most importantly, an article from Hagerstown Magazine detailing a number of haunts in the area. What joy! And a quick jaunt to the website of the Maryland Historic Trust et voila, I now have a copy of the theatre’s National Register of Historic Places nomination form. Thank goodness for the convenience of the internet!

Hagerstown is situated in western Maryland's Washington County, just south of the Mason-Dixon Line in the Great Appalachian Valley. Its position brought much of the action of the Civil War to the city's doorstep with armies of both sides tramping through its streets on a number of occasions. The Battle of Antietam—the bloodiest single day in American military history—was fought just south of the city. Hagerstown prospered throughout the 20th century and is now the largest city in Western Maryland.

The Maryland Theatre opened in 1915 as a top tier vaudeville and movie house. The structure was built in the interior of the 20s block of Potomac Street. The entrance and lobby of the theatre, located on the ground floor of an adjoining apartment building, extended towards Potomac Street. The theatre was designed by Harry Yessler, a local architect, in conjunction with Thomas Lamb, one of the preeminent theatre architects of the day. The interior of the theatre is an elegant Neoclassical design complete with decorative plaster work.

The rear of the Maryland Theatre, 2009. Photo by Eddie Walker,
released on Flickr under a Creative Commons License.
Even as live theatre became increasingly scarce, the theatre continued in business until it closed in 1973. The following year, the building lobby and entrance were destroyed when the adjoining apartment building burned. Firefighters valiantly fought to save the theatre itself and were successful, though one life was lost in the apartment building. The remains of the building and the theatre’s lobby were not salvageable and they were razed. When the theatre was reopened, a small lobby was constructed with a passage to Potomac Street. Sadly, from the outside, the lobby’s 1970s modern architecture is at odds with the opulence within the theatre. The modern theatre now plays host to numerous cultural events and is one of the premier cultural venues in the region.

Stories of the theatre’s haunting appeared quite early. The daughter of one of the theatre’s first managers worked in the theatre between the 1930s and the 1960s. Reportedly, she claimed to have encountered her father, who loved the theatre dearly, still going about his daily business. More recently, staff members have had the feeling of not being alone, but have also heard voices. According to two different articles, an investigation by the Mason-Dixon Paranormal Society was able to capture a number of EVPs in the building. It appears this historical theatre has its fair share of spiritual occupants as any good theatre should. As one of the theatre’s former executive directors remarked, “Starting with the Phantom of the Opera, every theatre should have a ghost.”

A commenter under the name “mymixedtapeforher”posted on the original entry that friends had experienced quite a bit in the theatre including the feeling of hands pushing on their backs, being told to “get the f*** out” by a disembodied voice” and finding a sandbag (used as weights on the theatre’s fly system) sliced open. These details, if true, make this quite an interesting haunting.

Sources
Coffey, Claudia. “Hagerstown Theater Believed Haunted.”
     MyFOXDC.com. 31 August 2009.
Finglass, Jack L. & Ronald L. Andrews. National Register of
     Historic Places Nomination Form for the Maryland Theatre.
     Listed 13 November 1976.
Hagerstown,Maryland. Wikipedia, the Free Encyclopedia.
     Accessed 31 May 2011.
Julius, Erin. “Is the Maryland Theatre haunted?” Herald-Mail.
     30 August 2009.
Widener, Christina. “Mystery Lives Here: Local Ghost Stories.”
     Hagerstown Magazine. September/October 2000.

Monday, March 4, 2013

Haunted Theatres of the South (Photos)

I'm currently engrossed in a project about the haunted theatres of the South. Here's just a sampling of the theatres I am looking into. Among these buildings some have been built specifically as theatres or cinemas while others have been adapted into performing spaces. Each one has a unique history and an interesting array of spirits and paranormal activity.

Annie Russell Theatre
Campus of Rollins College
Winter Park, Florida


Annie Russell was one of the great actresses of the American stage when
she retired in 1923 to Winter Park. She took up teaching at Rollins College
and this theatre was opened and named for her in 1931 by her close friend,
Mary Curtis Bok Zimbalist. After her death in 1936, it is believed that Annie
Russell continues to guide students from her spiritual plane. The door to her
old dressing room is known to open on its own accord during performances
she approves of. She is also believed to take a seat in the house during other
performances. Photo 2007, by Ebyabe. Courtesy of Wikipedia.
Sources
Annie Russell. Wikipedia, the Free Encyclopedia. Accessed 4 March 2013.
Annie Russell Theatre. Wikipedia, the Free Encyclopedia. Accessed 4 March 2013.
Seymour, Mary. "The Ghosts of Rollins (and Other Skeletons in the Closet). Rollins
     Magazine. Spring 2012.

Apollo Theatre
128 East Martin Street
Martinsburg, West Virginia


Built in 1913 to provide a venue for vaudeville, other live performances
and film, the Apollo Theatre remains open as a performance venue
for the citizens of Martinsburg in the eastern panhandle of West Virginia.
Apparently, one of the theatre's former managers remains with the theatre
as well. People working in the theatre often encounter the smell of the
manager's cigar smoke and his figure has been seen standing outside the
theatre smoking. Photo 2009 by Acroterion. Courtesy of Wikipedia.

Sources
Apollo Theatre (Martinsburg, West Virginia). Wikipedia, the Free Encyclopedia. Accessed
     4 March 2013.
Racer, Theresa. "The Apollo Theatre." Theresa's Haunted History of the Tri-State. 16 January
     2011.

Baltimore Theatre Project
45 West Preston Street
Baltimore, Maryland


A dancer rehearses in one of the studios of the Baltimore
Theatre Project. The theatre is housed in a structure that once
housed a men's fraternal organization, the Improved Order of
Heptasoths (IOH) and was built for them in 1883. The building
was later used as a dance hall and it is likely that the spirit, that of
a man in a suit playing the piano, is from that period. Photo 1980, by
Bradmays. Courtesy of Wikipedia.

Sources
Okonowicz, Ed. The Big Book of Maryland Ghost Stories. Mechanicsburg, PA:
     Stackpole Books, 2010.

Carolina Theatre
310 South Greene Street
Greensboro, North Carolina

The "Showplace of the Carolinas" opened as a a vaudeville house
and cinema in 1927. After falling on hard times in the 1970s, the building
was slated for demolition before a community group purchased the structure
for use as a performing arts center which opened in 1978. The theatre was
severely damaged by fire in 1981 and it is from that fire that a legend sprouted.
Supposedly, a woman killed in that fire haunts the building, though Cheralyn
Lambeth disputes this in her book, Haunted Theaters of the Carolinas. 
Photo, 2008 by Charles Brummitt. Courtesy of Wikipedia.

Sources
Carolina Theatre of Greensboro. Wikipedia, the Free Encyclopedia. Accessed 4 March 2013.
Lambeth, Cheralyn. Haunted Theaters of the Carolinas. Atglen, PA: Schiffer, 2009.

Douglass Theatre
355 Martin Luther King, Jr. Boulevard
Macon, Georgia

Members of the Knight Foundation outside the Douglass Theatre
where a meeting was held. The Douglass was built by African-
American entreprenuer Charles Douglass. A stop on the African-American
TOBA vaudeville circuit, the theatre was saved in the 1990s. After
restoration, theatre staff began noticing odd "brown outs," where
the lights would dim mysteriously. These occurances have been
attributed to spirits in the old theatre. Photo 2010, by the Knight
Foundation. Courtesy of Wikipedia.

Sources
Douglass Theatre. Wikipedia, the Free Encyclopedia. Accessed 4 March 2013.
Irby, Mary Lee. Ghosts of Macon. Macon, GA: Vestige Publishing Co., 1998.

Keith-Albee Theatre
925 4th Avenue
Huntington, West Virginia

The view down Huntington's 4th Avenue towards the Keith-Albee Theatre.
Built in 1928 as part of B.F. Keith's vaudeville empire, this theatre is said to
be one of the more paranormally active locations in the region. Among the spirits
in residence are a "Red Lady" from the 1940s. 

Sources
Keith-Albee Theatre. Wikipedia, the Free Encyclopedia. Accessed 4 March 2013.
Racer, Theresa. "Huntington's Keith Albee Theater." Theresa's Haunted History of the
     Tri-State. 16 January 2011.


Should you, dear reader know anything about these haunted theatres or others, please let me know!